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#11 | |
Join Date: Jun 2005
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Much of the time, there will be a visible sign in a fantasy landscape, such as ruins that invite exploration, and that can be seen with the naked eye. But there can also be surprises; for example, when Bilbo and the dwarves went into a cave in the Misty Mountains, they weren't expected to be attacked by goblins and dragged in front of the Great Goblin. I agree that that's less obvious for an interstellar voyage. But the question is, what kind of voyage is it? If it's merchants, the interesting thing will be a starport where there are people to buy from and sell to. If it's explorers, it will be a planet to be landed on and explored, or scanned, or a solar system with interplanetary traffic. Whatever it is, you need to think in terms of how the travelers go about finding out what's in a system. But I still think you can have interesting things in a wilderness other than a dungeon or a set of ruins. Run the adventurers into gold harvesting ants, or a forest haunted by giant spiders, or a band of orcs coming back from looting. Both D&D and RQ do have tables for figuring what inhabits a given hex on the wilderness map, quite apart from whether there's a ruined castle there.
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Bill Stoddard I don't think we're in Oz any more. |
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#12 | ||
Join Date: Aug 2004
Location: traveller
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In a science fiction campaign, it is usually difficult to justify denying some kind of cartographic system to the characters as well -- and may be impossible, depending on the transportation tech. Quote:
Given the open-ended nature of a sandbox campaign, it is fairly likely the characters are Adventurers, not merchants, scouts, etc. Moving cargo is how they pay the bills; survey is how they get to the rumored Location of Fabulous Excitement. From a player standpoint, pure exploration runs the risk of (as Anthony said) poking at a lot of things only to find they are boring. It is almost always preferable to provide enough information for the players (and characters) to determine what might be worth investigating. Maps are a very efficient way to accomplish this in a planet-based campaign. I'm looking for ways to improve these outcomes for planet-hopping campaigns. |
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#13 |
Join Date: Aug 2004
Location: traveller
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That's a fair point. It actually explains why the in-context justifications for the classifications are inconsistent and frequently flaky: it's more about flagging possible adventures for the players than actually warning the characters of potential hazards.
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#14 |
Join Date: Aug 2004
Location: traveller
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(Obviously still thinking about this issue...)
It occurs to me that this is the out-of-context justification for Class E starports ("Essentially a marked spot of bedrock with no fuel, facilities, or bases present." Book 3, p. 10) in Traveller. Even though one would think that one flat open spot would be as good as any other, identifying one in the world's Library Data as "the starport" focuses attention on it. Visiting there offers the best chance (all other things being equal) of finding locals familiar with off-world civilization, merchants willing to trade, shady taverns, ex-pats with stories to tell, and so on. It serves the same purpose as the "dungeon town" in fantasy settings. |
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#15 |
Join Date: Sep 2008
Location: near London, UK
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Diegetically it makes some sense, at least for legitimate trade: you may not have a maintenance hangar, but you might be able to scrounge parts from other ship crews. Whatever minor formalities take place, they'll take place here, even if you have to go into town, drag the Ambassador out from under his bar stool, and wake him up to stamp your passports. People who have stuff to sell that ship crews might want know that they should bring it here.
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Podcast: Improvised Radio Theatre - With Dice Gaming stuff here: Tekeli-li! Blog; Webcomic Laager and Limehouse Buy things by me on Warehouse 23 |
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#16 |
Join Date: Aug 2004
Location: traveller
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Sure. The idea of a starport extraterritoriality line (which was present from the beginning in Traveller, pre-dating "The Imperium") also offers a clear incentive to trade in the designated spot. The balancing factor is that it makes off-worlders easy marks and lets a small group of natives (those in control of the starport environs) set the terms of off-world contact.
But then, if you don't have restrictions on trade, what will smugglers do for a living? |
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#17 |
Join Date: Sep 2008
Location: near London, UK
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I don't think the practicalities of the Type E ever really got examined. Is there even a fence? Or just a painted line on the ground? In some places, surely the local cops will happily charge across the line and arrest everyone they don't like, because if they never get away to make a complaint the Imperium never hears about it. (So those guys' friends hire some PCs to get them back.)
I picture another faction saying "OK, we'll set up our own starport". Sorry kid, regs say one imperial port per world. But what if a ship in distress lands at our airport with its reinforced concrete runway? Oh, in an emergency that's just fine…
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Podcast: Improvised Radio Theatre - With Dice Gaming stuff here: Tekeli-li! Blog; Webcomic Laager and Limehouse Buy things by me on Warehouse 23 |
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#18 | |
Join Date: Aug 2004
Location: Wellington, NZ
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Another had no fence at all - the the 'port' was on top of a mesa with rather steep sides. Access was via a rope bridge that swung alarmingly in the wind and creaked ominously when used by heavily laden characters.
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Rupert Boleyn "A pessimist is an optimist with a sense of history." |
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#19 | |
Join Date: Aug 2004
Location: traveller
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The downside of the "one world -- one port" standard from a gaming perspective is that it reinforces the Planetville trope. It's as if, in a 1930s pulp rpg campaign, the player-characters have multiple adventures in "Africa" but the only place they ever visit is Lagos, Nigeria. In my own Traveller universe, I allow for two or three competing starports on particularly lucrative worlds. It's easy enough to have "Starport 2" be understood as "two ports, at least one of them Type A." |
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#20 | |
Join Date: Jun 2005
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__________________
Bill Stoddard I don't think we're in Oz any more. |
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