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#21 |
Join Date: Jun 2006
Location: On the road again...
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That most movie swordfights involve a lot of flynning is another aspect; they're looking for what looks good on screen (Rapier Art), not really going for historical accuracy.
(Plus, flynning is fun to do!)
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#22 | |
Join Date: Jan 2006
Location: Central Europe
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Sure, but someone who wants to get started just has to attend WMAW or Pennsic or one of a long list of jousts and deeds of arms with an Internet presence and talk to the right people (quite a few people who drifted into living history or historical martial arts got their starts in the SCA, so they use Pennsic as an excuse to meet old friends). The community in North America is small and unevenly distributed, but there are people all over the continent and most of them write to each other and travel a lot. Its not something to get involved in lightly (putting a first kit together requires endless research and labour and money, and improving it and keeping it maintained requires more; travelling to train with or fight other people costs yet more; and injuries are pretty common) but it does not require travelling to Borneo to find a lost tribe and persuading them to adopt you either.
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#23 | ||
Join Date: Oct 2007
Location: Vermont
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The one movie that makes fighting look awesome is Troy. But there's no equivalent I know of for main gauche or cloak. Quote:
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#24 | |
Join Date: May 2011
Location: Falls Church, VA
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The actors did a lot of their own stunts, and fight scenes. |
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#25 | |
Join Date: Aug 2005
Location: Portland, Oregon
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I wish I went to the Renaissance Faire or the SCA once in a while now that I think of it. But I'm to much of a recluse. Do either of these ever broadcast online?
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#26 | |
Join Date: Jan 2006
Location: Central Europe
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If I had more rule books handy I might try writing up Fiore's abrazare, daga, and spada into a style.
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After all, people who go to geeky events are likely to also like cameras and the internet!
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"It is easier to banish a habit of thought than a piece of knowledge." H. Beam Piper This forum got less aggravating when I started using the ignore feature |
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#27 | |
Join Date: Aug 2005
Location: Portland, Oregon
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"The navy could probably win a war without coffee but would prefer not to try"-Samuel Eliot Morrison |
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#28 |
Join Date: Oct 2007
Location: Vermont
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I'd love it if you gave it a try anyway!
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#29 |
Join Date: Jan 2006
Location: Central Europe
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This is a quick sketch, but my copies of Martial Arts and the Basic Set are in another city, so I would not want to trust it. It does not assume any other rules, and its a conservative writeup (Techniques are only included if the real-life moves which they represent are common in the manuals).
Armizare (“armed combat”) [5 points] Skills: Brawling, Judo, and any two of Knife, Broadsword, Two-Handed Sword, Spear, or Polearm Optional Skills: Lance, Riding (Horse) Other Traits: Combat Reflexes, Eidetic Memory with the memory palace limitation, Fit, Languages (Italian, Latin), Odious Personal Habit (chip on his shoulder, trash-talking, excessive self-confidence, babbling about your hobby, ...), Artist (Drawing), Public Speaking, Philosophy (Neo-Aristotelian), Writing. Revivalists are likely to have different advantages, disadvantages, and quirks, and may have Games (WMA tournament rules) or Current Affairs (WMA gossip) and are less likely to know Italian. Techniques: Arm Lock, Close Combat, Counterattack, whatever you use for striking with the bottom of the fist, whatever you use to grapple weapons or weapon arms and take the weapon away, ... Perks: I would need a copy of Martial Arts to hand for that. Whatever you use to reduce the penalties for Judo while encumbered. Rules Options to Know: Beat, Cross Parry (Judo or Knife), Defensive Grip, Riposte, Pummelling, Slip and Sidestep, Thrown Weapon (Sword), Feint, Kick, Improvised Weapons for striking and grappling, Grapples with Weapons, any unarmed technique which makes you wince when you read it, ... Cinematic Abilities: Parrying really well when you have a moment to prepare (Enhanced Parry with Preparation Required?), parrying multiple opponents at once, striking with incredible power, inhuman resistance to knockdown and knockback (Fortituto), amazing Will and similar traits (Audatia), something for Prudentia, incredible speed and reaction time (Celeritas) Fiore Furlano dei Liberi taught a holistic system for life-and-death combat with knightly weapons at the end of the fourteenth century. His manuals stand out for their clear design, humorous text, and firm vision of how to approach a fight. Fiore prefers to take direct action to remove the opponent's most dangerous weapon (whether beating an attack aside, locking an arm, or grappling a weapon) then take them out of the fight with a lock, throw, break, or strike. He insists on teaching ways of moving which work with or without armour, unarmed or with a variety of weapons. Almost all that is known of his life and teaching comes from a series of illustrated manuscripts which he composed between roughly 1404 and 1410. Fiore's manuscripts became popular with the growing western martial arts movement around the year 2000. Most modern revivalists focus on some parts of his art. The techniques with dagger and longsword on foot are the most commonly studied, followed by bare hands, armoured combat on foot, improvised weapons, and combat on horseback. In 2015, about a thousand people train according to his manuals in the United States, Canada, Great Britain, and northern Italy, a few dozen of them owning armour or riding horses.
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"It is easier to banish a habit of thought than a piece of knowledge." H. Beam Piper This forum got less aggravating when I started using the ignore feature Last edited by Polydamas; 09-10-2015 at 02:11 PM. Reason: Added languages, Eidetic Memory |
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#30 | ||
Join Date: Oct 2007
Location: Vermont
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Thanks!
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Most of those seem appropriate to Fiore's style. What do you think?
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Tags |
hema, martial arts, martial arts style, style, styles, wma |
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