06-30-2011, 11:09 PM | #51 |
Join Date: Jun 2011
Location: Toronto, Ontario, Canada
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Re: And ye shall know the Truth ...
Does this mean Lucifer has to attune himself to a Demon Prince? Because, technically, he is not one. He is just a regular Demon (i.e., Fallen Angel). Or is it that he is a Demon Prince (i.e., Fallen Archangel)? In that case, does that mean any Archangel that Falls will become a Demon Prince? Or do they still need Lucifer's permission?
It says in the Core Rules that Lucifer is a Balseraph. And he may have had a Word before his Fall. After that, everything is a guessing game. However, I believe the way he is presented is meant to be the leader of Hell's forces in the same way that God leads Heaven.
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“He who fights with monsters should look to it that he himself does not become a monster…when you gaze long into the abyss the abyss also gazes into you…” –Friedrich Nietzsche Last edited by DBloch2012; 10-10-2012 at 07:49 PM. |
06-30-2011, 11:24 PM | #52 | |
Join Date: Oct 2009
Location: Boston, MA
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Re: And ye shall know the Truth ...
Quote:
This fact -- that Lucifer is "just" another demon -- is why several other Princes see themselves as potential usurpers to Lucifer's "throne," as it were, or at least able to act beyond his plans (as described in some of the expanded Superiors supplements). How could any Word be higher than The Game, which describes what the whole Symphony is about? Or perhaps The War, which describes the situation that frames all of celestials' existence? Or even Fate, which refers not just to the Fate of humanity, but the entire universe? And being Prince of Factions means not really giving a damn what anybody else wants, so long as the end result is complete and utter isolation for everyone... |
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06-30-2011, 11:29 PM | #53 |
Join Date: Jun 2011
Location: Toronto, Ontario, Canada
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Re: And ye shall know the Truth ...
I guess I will just have to agree to disagree, and leave it at that.
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“He who fights with monsters should look to it that he himself does not become a monster…when you gaze long into the abyss the abyss also gazes into you…” –Friedrich Nietzsche Last edited by DBloch2012; 10-10-2012 at 07:49 PM. |
06-30-2011, 11:37 PM | #54 | |
Petitioner: Word of IN Filk
Join Date: Aug 2007
Location: Longmont, CO
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Re: And ye shall know the Truth ...
Quote:
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“It's not railroading if you offer the PCs tickets and they stampede to the box office, waving their money. Metaphorically speaking” --Elizabeth McCoy, In Nomine Line Editor Author: "What Doesn't Kill Me Makes Me Stronger" |
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06-30-2011, 11:48 PM | #55 |
Join Date: Oct 2009
Location: Boston, MA
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Re: And ye shall know the Truth ...
And that's okay -- I'm not trying to convince you that my way, or the way described in canon, is the "right" way to play. Just trying to give a sense of how some of us have approached the world. I'm happy to help think through some ways of making the game world feel more logically symmetrical, if that'd be useful.
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07-01-2011, 12:14 AM | #56 |
Petitioner: Word of IN Filk
Join Date: Aug 2007
Location: Longmont, CO
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Re: And ye shall know the Truth ...
Second that. We all vary from the "party line" to a greater or lesser degree -- chat with ISNorden sometime about the major revisions she's made to create a potent "Third Side" of ethereals and ethereal-aligned celestials!
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“It's not railroading if you offer the PCs tickets and they stampede to the box office, waving their money. Metaphorically speaking” --Elizabeth McCoy, In Nomine Line Editor Author: "What Doesn't Kill Me Makes Me Stronger" |
07-01-2011, 08:30 AM | #57 |
Join Date: Mar 2010
Location: Boston
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Re: And ye shall know the Truth ...
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07-02-2011, 07:32 AM | #58 | |
Join Date: Jan 2007
Location: Bellflower, CA
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Re: And ye shall know the Truth ...
Quote:
Yes, a Seraph's resonance is based on what is said. My question is, does it matter if they understand what was said? For instance... Brad says something in French and Susie the Seraph doesn't speak or understand French. Whatever Brad just said, he lied. In my mind it stands to reason that Susie may not understand what he said, but she is getting the same physical and spiritual reactions that tell her he didn't speak the truth. My contention is that even though Susie doesn't know what Brad said, the Symphony does, and it's the Symphony that conveys to Susie the Truth of his words. If that's the case I don't know that it is a requirement that Susie be fluent in a language to be able to discern the truthfulness of the statement. But in this case, because Susie isn't fluent in the language that was used, all Susie would be able to know is that Brad lied and whether he intended to lie. She wouldn't be able to say what the full Truth was or the exact reasons he lied. At best she would only be able to get very general answers. So, on a CD 6 she would know... Brad purposely lied He lied because he didn't want to get in trouble He knows the real truth For her to get more specific and complete answers she would have to be able to understand his words. At least, that is what I would rule. My concern is that if she can't resonate off him at all, then that's a way to beat their resonance. I don't know if I like the thought of any Choir's resonance being defeated so easily. |
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07-03-2011, 04:48 AM | #59 | |
Join Date: Sep 2004
Location: Upper Peninsula of Michigan
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Re: And ye shall know the Truth ...
Quote:
Narratively, here is what such an experience would be like. Brad lies in French. Susie listens. She doesn't speak French, but she resonates the statement, listening for the distinct feel of Symphonic truth. She hears the ugly tone of deliberate deception, and realizes the motivation (he didn't want to get into trouble) that ties it inescapably to what Brad knows -- the real truth. Like counterpoint against his melody, she sees him taking a handful from the petty cash himself, watches his mind try to wrap it in lies in the slippery way of untruth and the cottony vagueness of human tongues she doesn't know. What she doesn't know is whether he has just said he didn't know who took it, or blamed a delivery boy, or suggested that Susie did. |
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Tags |
in nomine, languages, resonances, seraphim |
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